The company was started in 2006 by Bill Thomason, a DJ/Producer living in the Denver area. Bill has also recently landed an endorsement by Sabian Cymbals as he is also the drummer for Ten Cent Redemption. A Regional act based out of Denver.
So far the releases have ranged from Progressive house to breaks to tech-house to electro-house. From the start, the releases on Polytechnic have been gathering attention from a wide range of DJs such as:
Sasha, Jody Wisternoff, James Zabiela, Fred Numf, Shiloh, Benz & MD, Trafik, Royal Sapien, Stefan Anion, James Warren, DjKiRA, Darin Epsilon, Kennedy, Andrew-S, DJ Samer, Thomas Penton, Deepsky (Jason Blum), DJ Taucher, Sultan, Grid System, Sandra Collins, DJ R-Man, Matt Rickard (Standby), DJ Hano, Ariel Cybana, Monty Q, Denny Tsettos, Spesh, DJ Mindaugelis, J e l o, Jon Sinclair, Andrew Campbell and many, many more.
Chris Drifter (Hungary) (SoundTribe Rekords, Plastic Fantastic, Existence, Pure.Fm, Danceradio.Gr)
"The original mix is the best in the EP." - 3.0 / 5
Electrobios (Argentina) (Anjuna Deep, Extrema, Add2basket, Baroque, Di, Deep Records)
"once again a giant release from polytechnic rec. this is the deeper side of things with still a strong beat and an energy similar to a night just before a storm... awsome!" - 5.0 / 5
Jim_Star (Canada) (www.alicemanagement.com ; no sound ; monique musique)
"djKiRa..keeps you hanging with his, rolling teched out remix..sweet! " - 3.5 / 5
Sasha Le Monnier [ C.O.U. Muzik ] (UK) (BeatAgency,Source Of Gravity,Proton Radio,Danceradioglobal,DI.FM,ensonic.fm,Contagious Rhythm)
"Part 2 is even better than part 1!" - 5.0 / 5
Kris B (USA) (Nightshade Music (Owner/A&R), Armada, Baroque, Global Underground, Ready Mix Records, DI.fm, ETN.fm)
"This package is on par with part 1, if not slightly stronger. Kira's version is my favorite, crisp production, you can really feel that kick drum slam. Very energetic and dancefloor friendly." - 4.0 / 5
Darin Epsilon (USA) (Perfecto, Lost Angeles, Monday Night Social @ Nacional, DI.fm, Proton, Curvve, Deep Records)
"Again, good production skills, but neither track grabs me and says "Play me!". " - 3.0 / 5
